Eduardo Kobra facts for kids

Quick facts for kids Eduardo Kobra
Born	Carlos Eduardo Fernandes Léo (1976-01-01) January 1, 1976 (age 48) São Paulo, Brazil
Nationality	Brazilian
Occupation	Muralist
Years active	1987–present
Known for	Urban Art and Activism

Carlos Eduardo Fernandes Léo (born January 1, 1976 in São Paulo, Brazil), known as Eduardo Kobra, nicknamed Kobra, is a street artist who officially began his career in 1987 at 11 years old, in his hometown of São Paulo. Since then he has painted over 3,000 murals on five different continents. Some of these murals are commissioned while others are his original, raw ideas. Kobra now works with a team of artists who paint between two and four murals each month. To this day Kobra continues to live and work in his hometown of São Paulo.

Early life

Portrait of Oscar Niemeyer by Eduardo Kobra, on a building in São Paulo.

Let Me Be Myself (Anne Frank), street art by Eduardo Kobra in Amsterdam.

Eduardo Kobra grew up in São Paulo, Brazil's largest city. His father was a weaver and his mother was a housewife. He attended public school at Escola Municipal Mauricio Simão. He did not get any official academic training, but became a well known, self-taught artist. Before he started his official art career, he enjoyed illegally tagging walls which eventually lead to several arrests throughout his teenage years.

Career

Eduardo Kobra was influenced by both modern and contemporary artists all around the world. He was specifically influenced by muralists such as Banksy, Keith Haring and Diego Rivera. His artwork is highly research driven. He rooted his artworks in art history by painting famous artworks in his own style in hopes of not only inserting himself into history but also bringing awareness to São Paulo as a town. He researched the science behind human vision, architecture, urban space and tri-dimensional projects because he wanted to understand how to effectively paint in order to give his viewer a specific experience. Due to the realism of his murals and the 3-D design of his work, the viewer is often confused because the human eye has a hard time differentiating between sculpture and painting on a flat surface. This confusion is his ultimate goal in his murals. Before painting a work that is site specific, he researches the history and culture of the city in order to situate the art in a city conclusively. Eduardo Kobra uses his own technique when it comes to street art. This technique involves airbrush and spray paint. By using these two mediums he is able to use immense detail, perfect aesthetic and rich light and shadow to make his objects appear 3-D.

The main goal of his work is to provide a space for the public to interact with his art. He did not want the public to have to go to a museum to see art, he wanted it to be accessible to all, thus pushing back against the difference between high and low art. During his teenage years Kobra ran with a well-known graffiti group known as "Hip Hop" in São Paulo which was who he began experimenting with street art as a career. By the 1990s Kobra made São Paulo the main site for contemporary street art. During this time, he began making posters for events that were held at the largest amusement park in Brazil, which was his first paid art job. The advertising he did for the amusement park was so successful that he began getting asked by other companies to produce advertisements for them.

In the early 2000s Kobra created his Memory Walls project. The goal of this project was to transform the appearance of an urban space through the means of a piece of art while also bringing back the lost memories of the city. He incorporated old photos of São Paulo that he spread throughout the town integrated within his trademark graffiti. This project was made up of smaller murals distributed throughout the city telling the story of the history of São Paulo while also showing the stark contrast between past São Paulo and the present São Paulo. In total, he used 10,000 square feet of space distributed around the city to complete his project. In 2007 the media got a hold of this project and began waiting with anticipation for what his next project would be.

In 2011, Kobra painted his first mural outside of Brazil in France. France invited him to come paint on a wall in a neighborhood on Lyon, France, that was revived. They wanted to remember this time in their history and show the process of their revival in hopes of never losing sight of what their neighborhood has been through. In 2017, Madonna invited Kobra to paint two murals at Mercy James Institute for Pediatric Surgery and Intensive Care in Malawi after she saw his Fight for Street Art mural, which depicts Andy Warhol and Jean-Michel Basquiat.

His career has continued as he is a still a practicing artist, painting in different countries around the world.

Bob Dylan panels by Eduardo Kobra in Minneapolis, Minnesota

Legacy

In 2016 Kobra painted the then largest mural titled Ethnic Groups which celebrated the 2016 Olympic games. Then in 2017 he surpassed his own record when he painted a street mural that was 5,742 square meters.

Kobra has worked for a number of large organizations and public figures such as Playcenter, Beto Carrero World, Coca-Cola, Nestlé, Chevrolet, Ford, Roché, Johnie Walker, Londice Cacau show and Carmim.

Work

The following table lists Kobra's major works.

Exhibitions

The following table lists Kobra's major exhibitions.

See also

In Spanish: Eduardo Kobra para niños