Image: A French Ship and Barbary Pirates RMG L9748

Description: A French Ship and Barbary Pirates This tiny seascape focuses the spectator’s attention on the dramatic attack on an armed trading vessel by two Mediterranean galleys. Contrasting with the action in the centre foreground, the sea is calm, dark green with fine white crests, stretching towards the open horizon in increasingly lighter hues. Under a light but overcast sky the corsairs launch their assault from either side of the larger ship. All vessels are firing their cannons. The bright flames and billowing smoke seem to lock them together in combat. Variations of the scene appear in two faint groups of vessels on the horizon. The violent subject matter of the ‘Barbary Pirates’ was popular in Dutch and Flemish painting throughout the seventeenth century and reflected the continuous threat to shipping in the Mediterranean by North African corsairs. The corsairs’ Islamic origin is emphasized through the clearly marked crescents on the galley stern lanterns and finials. This contrast serves to heighten the pictorial and narrative drama. The traditional identification of the ship as French is based on the white (Bourbon) flag at the mainmast. Interestingly, in this panel the artist has rejected the possibility of adding a Mediterranean coastline and any topographical reference is conveyed solely by the vessels themselves.According to his notebook, Eric Palmer acquired the small cabinet piece before 1955, as a work painted by ‘Antum’, and was obviously unaware of the style as that of Aert Anthonisz. The influence of Hendrick Vroom, who is assumed to have been Anthonisz’s teacher, can be seen in the depiction of the trading vessel. The fairly high viewpoint and the green-greyish colour scheme, which lends the scene a degree of natural atmosphere, are also found in Vroom’s 'Ships Trading in the East' (BHC0727). These stylistic aspects may indicate a date of around 1615. This said, it has now been suggested (September 2016) based on comparison with the very similar composition of a painting in the Rijksmusum (SK-A-4250) and of a drawing in a private collection, that it may in fact be by the equally rare Cornelis Bol (1589-1666): if so it is early since Bol's style, though colourful, became rather lighter in tone than this example. A French Ship and Barbary Pirates
Title: A French Ship and Barbary Pirates title QS:P1476,en:"A French Ship and Barbary Pirates " label QS:Len,"A French Ship and Barbary Pirates "
Credit: http://collections.rmg.co.uk/collections/objects/12201
Author: Aert Anthoniszoon
Permission: The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
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License: Public domain
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